Indira May is rewriting the rules of independent music with her latest EP, Imaginary Problems. A dynamic blend of jazz, indie, and electronic influences, the collection of five tracks pushes genre boundaries while exploring deeply personal narratives. Each song feels like a vivid chapter in a story that’s as emotionally complex as it is sonically captivating. Indira’s bold vision and her ability to merge vulnerability with innovation set her apart as a true artist of her time.
The EP opens with ‘don’t feed the sharks’, a psychedelic synth-pop odyssey that immerses listeners in a world of pulsating beats and dreamy, otherworldly vocals. Featured as ‘Track of the Day’ on BBC Introducing Sussex & Surrey and played in H&M stores across the UK, the song serves as a testament to Indira’s knack for creating accessible yet unconventional music. It’s the perfect gateway into the intricate world of, Imaginary Problems.
What follows is a journey into the deeply personal with ‘childsplay’, a haunting piece about living with endometriosis. The eerie, stripped-back production allows Indira’s raw storytelling to shine. By bravely confronting a condition affecting millions of women, she elevates the track from a beautiful song to a powerful act of advocacy.
Indira’s experimental edge takes center stage with ‘STOP’, where whispery vocals and hypnotic, dub-inspired horns weave a spellbinding soundscape. Then comes the delightful ‘dance tonight’, a playful bossa nova-inspired number showcasing Indira’s witty lyricism and unapologetic horn section. It’s a fun, effervescent break from the emotional weight of the EP, illustrating her range as both a vocalist and a songwriter.
The final track, ‘you & charlie’, is a poignant ballad about addiction, wrapping the EP in a veil of bittersweet beauty. With its stunning storytelling and layered production, the song cements Indira’s reputation as a multifaceted artist capable of crafting narratives that resonate deeply. Imaginary Problems, isn’t just an EP; it’s an artistic statement that demands to be heard.
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