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Pisgah ‘Faultlines’ - A Masterclass in Introspection and Sound

  • Sonic Sisters Team
  • 4 days ago
  • 2 min read
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Pisgah’s sophomore album, Faultlines, is a quiet revelation, a record that balances emotional gravity with an unassuming sonic sophistication. London-based American singer-songwriter Brittney Jenkins has long been adept at transforming personal experience into immersive indie rock, and here she deepens that craft, producing a collection of songs that feel both expansive and intimately contained. Across eight tracks, Faultlines interrogates the fractures that define human experience—generational trauma, personal loss, and the moments that cleave a life in two.


Opening with the atmospheric “Cumulonimbus,” Jenkins immediately sets a tone of reflective turbulence. Layers of shimmering guitar swell and recede like a storm on the horizon, perfectly matching lyrics that contemplate inherited histories and emotional weight. Elsewhere, tracks such as “Favor” and “Splintering” explore the delicate balance between despair and release. “Favor” is taut with tension, a slow-motion unravelling propelled by distorted guitars and urgent percussion, while “Splintering” drifts through minimalistic, nocturnal landscapes that feel simultaneously solitary and expansive.


The production, courtesy of Dan Duszynski, is consistently precise yet warm, never obscuring Jenkins’ vocal delivery, which remains the album’s emotional compass. The record’s sonic choices—textured guitars, subtle alt-country swells, and sparse instrumentation—mirror its lyrical themes of shadow and light, fracture and repair. Visual art and natural landscapes have clearly informed the record’s aesthetic; moodboards inspired by the photography of Francesca Woodman and Gregory Crewdson translate into textures that feel cinematic and tactile.


Where Faultlines truly excels is in its capacity to transform vulnerability into a form of quiet strength. “Bone to Pick” confronts trauma with stark minimalism, allowing Jenkins’ voice to carry the full weight of the narrative, while “Bend to Break” and its spiritual sequel exude liberation, combining euphoric guitars with driving percussion. Even the elegiac “5ft2,” written in memory of Jenkins’ grandmothers, balances mourning with a celebration of lineage and resilience, showcasing her ability to make the deeply personal resonate universally.


Faultlines is a record that rewards patience. Each listen reveals subtle details in both the sonic layering and lyrical content, building a portrait of an artist willing to confront pain, interrogate memory, and find beauty in the aftermath. Pisgah has delivered a sophomore album that feels thoughtful, cinematic, and emotionally precise—a collection of songs that not only maps Jenkins’ internal landscapes but also invites the listener to reflect on their own. In a crowded indie field, Faultlines stands out as a quietly ambitious, deeply resonant statement.



 
 
 

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