Ivelisse Del Carme 'Sin Filtro' - Where Classical Soul Meets Reggaeton Fire

In a musical landscape often dominated by formulaic beats and predictable drops, Ivelisse Del Carmen’s “Sin Filtro” feels like a revelation. The Puerto Rican-born, London-based artist dares to reimagine reggaeton not as a party soundtrack, but as an intimate act of reclamation and truth-telling. It’s music that challenges expectation — cinematic, raw, and unapologetically personal.

From its first moments, the track captures a delicate tension: the heartbeat of reggaeton percussion collides with lush orchestral strings and tender Spanish guitar. The sonic palette feels both global and ancestral, merging centuries of tradition into a modern emotional landscape. Ivelisse’s classical training shines through, not as an adornment, but as a weapon — transforming vulnerability into power.

Her lyrics cut deep with honesty. “My ego, the spider, afraid to get hurt,” she sings — a haunting

metaphor that encapsulates the struggle between confidence and fragility. The song’s emotional pull lies not only in its lyrical depth but in how it sonically mirrors that conflict, shifting seamlessly between intimacy and grandeur.

Produced by Paul Stanborough, known for his refined touch with icons like Kylie Minogue and Tina Turner, the production of “Sin Filtro” feels surgically precise yet alive with feeling. Every detail — from the reverb on the vocals to the interplay of strings and percussion — contributes to a narrative that’s as much internal as it is musical.

Ultimately, “Sin Filtro” isn’t just a song — it’s a manifesto. It redefines what reggaeton can be when filtered through the lens of artistry, history, and fearless self-expression. Ivelisse Del Carmen doesn’t just blur boundaries; she dissolves them completely.